Ans:- The plots of Austen’s novels especially that of ‘ Pride and Prejudice are well-knit, organic plots. There is very little in them that may be called superfluous. Pride and Prejudice event
In Pride and Prejudice, with the possible exception of Kitty and Mary, there is no character and no event, which may be called superfluous or which does not contribute to the development of the story.
Pride and Prejudice event
Read more from English 2nd Year(click) Even the comic Proposal to Elizabeth or Mr. Collin’s has its place and significance. It serves to highlight the character of the heroine and shows her in a favorable light as compared with her friend Charlotte Lucas. The events follow each other logically and inevitably.
Pride and Prejudice events follow each other logically and inevitably
The story opens at Longfourn. The arrival of Mr. Bingley at Netherfield Park is an important event because of the matrimonial intention of the Bennet family, and also because it is with him that the hero Darcy makes his appearance.
Quite naturally, there is a ball at Netherfield Park which makes stage in the development of the plot, The plot develops through the conflict between Darcy and Elizabeth, the pride of one and the prejudice of the other.
Jane Austen shows great skill in the handling of events which now follow in quick succession, resulting in the depending on Elizabeth’s prejudice and the awakening of Darcy’s love for her.
The conflict between pride and prejudice weakens as Darcy makes his proposal to Elizabeth at Hunsford. However, as this proposal is made an insulting tone, it is at once rejected. From this time onward up to the end, Jane Austen is at her best and Justifies the praise of WL.
Cross that no novelist since Fielding ” has been master of structure ” and the structure of pride and prejudice is dramatic, almost Shakespearean, Thus the structure of pride and prejudice is dramatic so that Baker divides the novel into five Acts.
In the manner of much Ado the attitudes of the hero and heroine gradually but inevitably, undergo a complete reversal and marriage is the only natural solution. The beginning of the story begins together with the hero and heroine.
Jane Austen’s skill in plot construction follow each other logically and inevitably
The story develops through conflict between their respective pride and prejudice and ends with the reversal of their attitudes. In the manner of a drama, ” the action is carried forward through short scenes in dialogue ” ( Watter Scott ) Character also is developed through dialogue instead of description or analysis.
Comedy deals with the conflict between illusion and reality and this are also the theme of Jane Austen’s novels. Jane Austen’s novels are dramatic novels of conversation rather than of action.
In these novels nothing very dramatic happens; everything is simple, straightforward forward and controlled. But the dialogues are quite brilliant. The floats of Jane Austen’s novels are compound and not simple.
In each of them are several pairs of lovers. Her novel consists of several subs. Plots, digressions, and episodes.
Plot Structure of Pride and Prejudice by Jane Austen
Pride and Prejudice event
Thus in pride and prejudice, we have at least:-
( a ) the main plot consisting of the love story of Decay and Elizabeth,
( b ) jane – Bingley subplot.
( C ) Lydia – Wickham episode, and
( d ) Collins – Charlotte episode.
The novelist has woven together all these threads with great skill. The subplots besides providing a touch of tragedy to the story, also serve as a foil to the main plot. Jane and Bingley are more passive lovers as contrasted with the active nature of Elizabeth and Darcy.
Bingley’s sudden departure for London from Netherfield serves to heighten Elizabeth’s prejudice towards Darcy, for she regards him as being responsible for the misery of her sister. At the beginning of the subplot holds the front of the state, but gradually it is flushed into the background and the main story is seen in its proper perspective.
Lydia – Wickham episode also adds the element of melodrama and sensation. It also highlights the essential nobility of Darcy and thus serves to dispel the prejudice of Elizabeth. It serves to increase the suspense of the story.
The comic proposal of Collins imparts dramatic relief and variety of the story ” and brings out the prudent and noble nature of Elizabeth by contrast with the materialistic nature of her friend.
” This marriage with charlotte results in Elizabeth’s visit to Hunsford where she comes to know more about Darcy and consequently there is a weakening of her prejudice towards him.
An Essay Pride and Prejudice Plot Analysis
Thus there are no loose ends, all the parts have been well fused into a single compact whole. Jane Austen’s novels contain very little action and what every action there is it is trivial and commonplace.
It consists merely of little visits shopping expeditions, wedding dinners and tea – parties, dances card playing, etc. Such trivial and insignificant actions go to make up the plot of her novels. But such is her exquisite touch.
That the commonplace and the insignificant is transformed into the uncommon and the significant is transformed into the uncommon and the significant as if by the touch of a magic word / ” Every morning call forwards the action.
An important piece of information is conveyed in the dialogue or a new character introduced. ” Her novels are novels of common and not of action. They are the apotheosis of the commonplace.
Plot-Construction of Pride and Prejudice
The plots of Jane Austen’s may not be highly original or ingenious, but they are highly artistic. No other writer of function has ever achieved such great results by such insignificant means, none other has, upon material so severely limited, expended such beauty ingenuity and precision of workmanship.
Her manuscripts which are profusely connected show that she worked on her novels very slowly and with inexhaustible patience.
Cross has rightly observed that no novelist since fielding has been a master of the structure as Jane Austen was. Pride and Prejudice event
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